Avatar flight scene analysis
This scene is a pivotal point in the film in many ways, with spectators being aligned with Jake as he is at a key stage in his mental transformation into one of the Pandora inhabitants- the N'avi. James Cameron's use of 3D in this scene helps to reinforce many of the key themes and issues taking place, as well as creating a more immersive experience for spectators.
Jake is flying a mountain banshee for the first time, and these are creatures which must form a connection to their pilots in order to fly. This connection signifies the relationship Jake is forming between himself and Pandora's inhabitants, as well as the place itself. The 3D used helps spectators to empathise with Jake, and gain a deeper understanding of his connection, as we can view the creatures and the world in the same way that he does; in 3D. Many extreme long shots are used with low frequency cuts to allow us to get an insight into his exploration of the world, for the first time that he can navigate above it and see its many complex structures. The settings are unearthly and spectacular, and we see the enormity of the different aspects through extreme long shots and an infinity shot to show how microscopic the birds appear against the stunning landscapes. This proportion is emphasised through 3D, with Jake and Neytiri appearing to be at a similar depth to the setting around them, despite flying well in front of it. This effect of depth helps demonstrate the exact sizes of the elements of scenery in comparison to the characters. The scale of Pandora's wildlife and architecture is shown in detail at this point to foreshadow it's power, and to make spectators begin questioning whether the humans will be successful when trying to take over large parts of it.
The relationship between Jake and Neytiri begins to really blossom in this scene, with close ups used to show their facial expressions and body language whilst flying and enjoying each others company. 3D brings their faces in front of the screen at these points, giving spectators an even closer and more immersive view of their expressions as they both begin conveying emotions of love and joy as they look into each others eyes. Eyeline match aids the 3D to create a greater connection between the two, with a POV from Jake's perspective showing Neytiri looking lovingly as she slightly giggles. This aligns spectators with Jake, as we see her exactly how he would in 3D, and as he starts to question where his allegiance lies- with humans or with the N'avi? Neytiri's joyful expressions demonstrate how happy she is with his determination and learning about how to become one of them.
This is well-focussed analysis.
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Nathan, I'm a bit concerned that there is nothing here since Oct 13th. You should be gathering secondary materials and conducting sequence analysis and posting all of this to the blog. Is it in draft?
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